Chuck and the Hulas


Chuck started his career many years ago with Chuck and The Frantic Flintstones, a British neo-rockabilly band, or was it psychobilly?

His new band plays a mix of almost all good styles from Rock'n'Roll to Rock with some Hula or Hawaiian elements.
Not only killers, but each of the albums has only roundabout half an hour playing time.

Here they are!

I hope nobody has problems with 128kb - on the other hand you can purchase both albums, if you like them!

The Honeys


The Honeys were a 1960s girl group, who recorded for Capitol Records, and were a kind of female counterpart to the BBoys; Brian W. served as their record producer and chief songwriter.
The Honeys (the name a slang term for a female surfing enthusiast) consisted of sisters Marilyn and Diane Rovell, and their cousin Ginger Blake. Marilyn and Diane had met the BBoys when the boys performed at a Hollywood club called Pandora's Box, in the early 1960s. Brian and Marilyn (who was still in high school) began dating, and he brought the girls into the recording studio, to produce their songs ("Surfin' Down The Swanee River", "Shoot The Curl", "Pray For Surf"), and included them as backup performers on BBs records. The cheerleader voices on "Be True to Your School" were performed by the Honeys, and the two groups sometimes shared the same concert bill.
In 1963 The Honeys were part of a six bill act headlined by Helen Shapiro, which incuded the Beatles as part a support act. In 1964 The Honeys sang background vocals for Jan and Dean on the various hit singles.
The Honeys' career faded as surfing music went out of vogue. Marilyn and Brian were married, and became the parents of Carnie and Wendy, who later found fame as members of Wilson Phillips. Marilyn and Diane later re-teamed as a duo called Spring (aka American Spring), during the 1970s.
During the mid/end 1980s , the Honeys reunited, and performed locally around Hollywood and Los Angeles. wiki

Marilyn and Brian divorced in 1979. She has since remarried and is now known as Marilyn Wilson-Rutherford. She now works as a real estate agent in Los Angeles, California




and for the completist: an album released in 1986 «It's like heaven»
At this point I should warn you ...
Have a look at the sleeve and you know what's awaiting you.

It's Like Heaven

John Severson (*1933)


http://www.surferart.com/

«Before John Severson, there was really no surf art, no surf magazines, no real surf films, no surfwear industry, no pro surfing, no Surfrider Foundation, no surf culture as we know it. In a very large sense, he made it all happen by synthesizing the sport of surfing into various expressions of his art.»










1964
Editors: John Serverson, Pat Bestgen (Art), Ron Stoner (Photos)








John Severson was also the presenter of the following album -
featuring Glen Campbell - and Jimmie Haskell as arranger and conducter.







>>>

A rough mixture of "Bonanza" and easy listening flavoured Hula.
I'm sure he was young - and needed the money!
Nice funny memories anyway.

Biography





The Pharaos [Sweden]


Play these surf originals, and you will think you are hearing blonde surfer boys from Southern California. Sure, they could be blonde, but these boys are from Scandinavia where, for some reason, surfing has never quite taken hold. All music composed and performed by The Pharaos. Released on the now inactive Kryptonit label and recorded at Studion Gar Pa En Kryptonit Studio located in Uppsala, Sweden.

download





[alternative link]

Preston Epps - Bongo Rock and more (1959-1969)

Preston Epps (born Oakland, California, 1931 or 1932) is an American percussionist.
Epps learned to play percussion instruments, including the bongos, while he was stationed in Okinawa during the Korean War. After his tour of duty he settled in Southern California, playing in coffee shops and working odd jobs. Arthur Laboe, a local disc jockey, signed him to Original Sound Records, which released his single "Bongo Rock" in 1959. The tune became a hit in the U.S., reaching #14 on the Billboard Hot 100 that year. The follow-up, "Bongo Bongo Bongo", reached #78 the following year. Original Sound released a full-length LP in 1960, which reached #35 on the Billboard 200. However, further bongo-themed singles, including "Bongo in the Congo", "Bongo Rocket", "Bootlace Bongo", "Bongo Boogie", "Flamenco Bongo", "Mr. Bongo", and "Bongo Shuffle", did not result in any further success.
Epps reappeared in 1969 as a bongo player in the film Girl in Gold Boots. He continued on as a session musician in the 1960s and 1970s. In 1973, the Incredible Bongo Band covered "Bongo Rock" and released it as a single.
Epps continued playing in clubs in Southern California into the 1990s. /wikipedia























Bongo x 16

why does a milkroll try to sound like Little Richard?


that's indeed a good question ...

but is there any good reason to produce a new album in the style
of Little Richard (and sometimes with reminicences to Screaming Jay Hawkins and others of the good old
era when rhythm&blues was part of the rock'n'roll)¿?

The participation of Jason Ricci & Phil Alvin (Phil from the Blasters) and a retro-stylish version of AC/DC's Rocker isn't really helping.

This blog is regular NOT posting new albums, but this one is a very good example that you shouldn't buy albums before you have listend to them.
Maybe you will have a different opinion and you will love this album. Then you have a good reason to order your own legal copy.


TRYB4BUY!

The Beloved Invaders ...





http://www.thebelovedinvaders.com/

their first album - available for free

[01. Diamond Head 02. Penetration 03. Driving Guitars 04. Lullaby of the Leaves 05. Apache 06. Perfidia 07. Sleepwalk 08. Pipeline 09. Out of Limits 10. Spudnik 11. The Cruel Sea 12. Secret Agent Man]

[picture only similar]

Ruby Short & His Dragsters (Palace 776)









as seen on: http://blog.wfmu.org/

Not much info about "Ruby Short", maybe a band of "usual suspects" straight from a recording studio. All songs mixed with additional engine sounds! great!


>here>

Surfin' Bird *

* The song was a combination of two R&B hits by The Rivingtons, "The Bird's the Word" and "Papa-Oom-Mow-Mow". The earliest pressings of the single credit the Trashmen as composers, but following a threat from The Rivingtons' legal counsel, that group was subsequently credited as composers.

One of those very popular albums. But also an essential one. No extra tracks charged, just the twelve original tracks as released in 1964, including the original single versions of "Surfin Bird" and "King of Surf" from 1963.

"Early Guitars" - Baroque And Before - A Time Travel

"Lute can refer generally to any plucked string instrument with a neck (either fretted or unfretted) and a deep round back, or more specifically to an instrument from the family of European lutes. The European lute and the modern Near-Eastern oud both descend from a common ancestor via diverging evolutionary paths. The lute is used in a great variety of instrumental music from the early renaissance to the late baroque eras"
Not all songs on this compilation were originally written for lutes, some have been transferred from the harpsicord to the lute - and are played today mostly on guitars ...
The tracks written by Robert de Visée are composed for - and played by Hopkinson Smith on a theorbo. A few other songs are also played on theorbo. A big bunch of ancient tunes by famous and not so famous composers, played by Andrés Segovia, Christopher Parkening, Manuel Barrueco, Hopkinson Smith, Julian Byzantine, Anthony Bailes and others.
35 songs.

The (original) picture shows Charles Mouton, a French composer and lutist who lived around 1626 until 1699/1710. Painting by François de Troy (1690). Danelectro 1960.

Two Parts!
Part One
Part Two